Paolo Loffredo, sixth generation of a large family of publishers and booksellers engaged in the production and distribution of books since the late nineteenth century, creates in 2012 the new editorial company Paolo Loffredo Editore. The historical site was until the '80s in the heart of the historic centre of Naples in Via San Biagio dei Librai, lower Decumano and also known as the SpaccaNapoli.
At the beginning of the twentieth century, Giuseppe Loffredo decided to add book selling to the book production, which definitively imposed itself after World War II with the publication of manuals for the University and for the School that succeeded in establishing themselves soon throughout Italy.
LAST EVENT
"L'emigrazione da Casalnuovo"
23 Marzo 2024 - Palazzo Salerno Lancellotti Ateneo, via XXV Luglio, 41 - Casalnuovo (NA) - ore 16,30
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"Intelligenza artificiale e giornalismo: sfide e opportunità"
26 Marzo 2024 - Sindacato Unitario dei Giornalisti - vico Monteleone, 12 - primo Piano - Napoli - ore 15,00
L’opus contra naturam di Montale
ISSN 2611-1470
Language: Italian
Publisher: Paolo Loffredo Editore Srl
Description
Book preview
Review da "Blog di Poesia della RAI"
Review dal quotidiano "il Foglio"
Review dal quotidiano Avvenire pagina II Agorà
L’opus contra naturam di Montale
The beginning of the Qohélet is about beginnings and the return of beginnings. The sun rises, sets and goes back to the place it rises from; the wind goes South and then turns to North; the rivers go back to the source, “revenrtuntur”. This is the archetype. The original code, the “logos”, the “anima mundi”, not getting lost in dispersion. It means going back to the elements, air, water, fire, earth. Time represented as the ouroboros snake, eating its own tail. Montale’s rivers are time made of water, thinking about itself, going back to the source before the right time. And if it is not the river, it is the eel dating the course. “Il mio fiume” by Ungaretti at the beginning is full of a word: “now”. It is repeated sixteen times, sometimes in uppercase. In the last part the word in “Saint”, also in uppercase. Poetry wants to be sacred in time.
The river flows from its source, which is an eternal tomorrow, as de Unamuno wrote in his sonnet LXXXVIII. Words run out in Word’s echo. This is the “contempus mundi”. The attraction to the archetype, the glorious shipwreck. Vanishing is therefore the venture of ventures.
