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Paolo Loffredo, sixth generation of a large family of publishers and booksellers engaged in the production and distribution of books since the late nineteenth century, creates in 2012 the new editorial company Paolo Loffredo Editore. The historical site was until the '80s in the heart of the historic centre of Naples in Via San Biagio dei Librai, lower Decumano and also known as the SpaccaNapoli.
At the beginning of the twentieth century, Giuseppe Loffredo decided to add book selling to the book production, which definitively imposed itself after World War II with the publication of manuals for the University and for the School that succeeded in establishing themselves soon throughout Italy.

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PAVEL A. FLORENSKIJ E L’ARTE DELLA VERTIGINE


ISBN: 979 12 81068 37 7
Language: Italian
Publisher: Paolo Loffredo Editore Srl
Sales price 23,50 €
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PAVEL A. FLORENSKIJ E L’ARTE DELLA VERTIGINE

One of the main theoretical gains highlighted in the essay is the scientific visionary of the young Pavel A. Florenskij. He recovered the metaphorical language, realizing that through it those characteristics of reality that escape logical-deductive speculation become accessible, thus anticipating some theses developed fifty years later by the science of complexity. Another aspect of the analysis concerns Florenskij's acquisition of a new and very important 'corollary': the discovery of the iconic basis of the mind, the peculiarly human way of knowing, since the dawn of humanity.
In the arduous effort to reconstruct the Florenskian logos, after having exposed the main hermeneutic directions to which the reading of Primi passi della filosofia lends itself, the author identifies the philosopher Neapolitan Giambattista Vico, the 'stone guest' who may have guided the scientist pope Russian in its complex speculative itinerary, highlighting some of the crucial passages.

Author

Diana Del Mastro is a confirmed researcher at the Faculty of Theology of the University of Szczecin, Poland, where she teaches Philosophy and Aesthetics.
Her research interests range from the perceptive field of the visible to symbolic anthropology, to which she has dedicated several monographs and curators (Controcanto. Voices, figures, contexts of a feminine elsewhere, 2013; L’enigma della Forma. Linguaggio e corpo nell’ontologia di Maurice Merleau-Ponty, 2014; Emozioni.
L’Altro lato del Sapere, vol. 1, 2017; Emozioni: l’altro lato del Sapere. Epistemologia, formazione e creatività, vol. II, 2018; Symbolum: Mito, Immaginario, Realtà, 2019; Symbolum: Terra, Mater, Materia, 2020; Passages. Épistémologie, esthétique, langage dans l’itinéraire scientifique et spirituel de Pavel A. Florenskij, 2021), as well as articles and contributions appearing in the magazine.


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